Larissa Ness – Thoughts of You

Artist : Larissa Ness
Song : Thoughts of You
Album: Hello
Director: Raymond J. Schlogel
Producer: Ruben Cantu
Production Company : Underground Planet
See Extended Credits Here : Extended Credits Page

My first music video for a pop song! Not to mention my first with choreography! Whoot! I think I had watched too much “So You Think You Can Dance”, just enough to want to do this and just enough to drive our Choreographer Carly Bell crazy by asking her for all sorts of dance move things as if I knew what I was talking about. Can’t even begin to say what a blast this one was.

This would be more or less a dream sequence theme part of which was inspired by two pictures of Larissa that were taken by the award winning photographer Maria Bernal. One was of Larissa in which she was wearing a black bra, another was of her feet wearing high heel shoes resting on the keyboard. Those two elements became the first building blocks of the concept.

So, the concept, in case you missed it, is that Larissa is missing her guy. In her dream she wakes up and is living in this amazing mansion, she goes down stairs wearing only the bra and slip that she woke up in and finds that there is a party going on. Everyone at the party is formal, cordial if not a bit pretentious and putting on airs as they exchange frivolous banter. No one really notices her nor her lack of appropriate attire.

Her love interest is one of the hired help, a waiter who she makes eyes at after she makes her way to the piano and begins performing. The guests begin to dance, but even in their dance they are stiff, formal, lackluster. The waiter is seen, essentially going to her level, as Larissa is only wearing her undergarments he removes his uniform just before the breakdown in the song. He climbs atop the piano and extends his hand, she accepts and joins him. Whether its the music or in response to Larissa and the waiters chemistry or just because its a dream the rest of the guests follow suit and disrobe, shedding the formality, we see them more as individuals, they smile more, and the dance changes from the formal ballroom-esque style that they had been doing earlier to something more fun, sensual and free flowing. Larissa and the Waiter make their way back to the piano, they lay down and he covers her with his red jacket. We see a close up of Larissa singing the last few lines as the camera pulls back and we notice that the jacket is actually a blanket and she is in bed, alone, and thinking of him.

Didn’t get all that from watching it? No worries, I’m a fan of abstract and not being to literal and at the end of the day hopefully even those that don’t necessarily understand the concept will enjoy the visuals nonetheless.

This one truly was a blast, from Larissa’s willingness to learn to play the piano with her toes to the two months of practice and choreography not to mention shooting at one of the most amazing homes I’ve ever seen making this one was an incredible experience on every level.

For Love & Stacie

“Before he has a chance to think too much, struggling filmmaker Michael Davis throws himself wholeheartedly into crafting a celluloid valentine for Stacie, his very recent ex-girlfreind and soul mate. What could go wrong? Even Michael couldn’t have predicted the unbelievable twists and turns he would capture on his camera in the following days, which would eventually evolve into the feature “For Love & Stacie” – at once a courageous, cathartic, hopelessly romantic testament to the lengths to which we will go for love, and a darkly comic, almost-too-honest, painfully familiar odyssey through the kind of misery and psychological debasement that only a loved on is capable of inflicting”

So it’s been quite awhile since I made my feature doc For Love & Stacie, though it’s won a handful of awards it’s yet to make me rich … or even buy me a taco. With that in mind like most “artists” it’s become more important to me for it to be seen than for it to make me money. Of course it would be nice to have both but as the latter hasn’t happened I’ll just have to push for the former. Basically I’d rather give it away and hope its seen by many rather than continue to try and sell it and have it only seen by a few. All that said, here it is, free on the internet for the world, or at least a couple people with too much time on their hands, to see in all it’s original glory. Well, not “all” it’s original glory, had to compress it quite a bit to get it online but you get what I mean. I only have two favors to ask if you watch it:

1) Post something about it! Somewhere! Anywhere! Even if you hate it and want to dog it that’s fine with me. If you love it tell the world. Twitter, Facebook, MySpace, your blog, message boards, whatever. Since it seems impossible for a little indi filmmaker to make a dime doing this (at least for this little indie filmmaker) it would mean everything to me and I’d be ever grateful just to know it’s been seen by many and hopefully liked by a few. So give it a mention and share the link.

2) No SPOILERS! Again, you can crap all over it if you want to when you post but do me the one honor of not giving anything away to those who haven’t seen it.

That’s it, if ya really REALLY like it you can find it for sale on DVD or a much higher res download on bside.com but honestly at this point it would actually mean more to me for people to post about it than to buy it.

DVD : http://www.bside.com/films/forloveandstacie

Facebook : http://www.facebook.com/loveandstacie

MySpace : http://www.myspace.com/loveandstacie

Look forward to hearing what you think. There are some tidbits about the film on it’s MySpace page but in here I’ll only say that For Love & Stacie went from concept to completion, by that meaning literally from the day I had the idea till the day it was shot and completely edited in six months. The total budget was 3k. It was filmed on Canon XL2′s (oh how I wish I had my EX1 back then!) and edited in Sony Vegas. Any questions just ask, but if your question has spoilers I won’t be able to answer! For full cast and crew visit it’s IMDB page:

http://www.imdb.com/title/tt0773284/

Thanks a bunch and hope you like it.

- Ray

P.S. Okay, a friend of mine nicely pointed out that since my electricity is about to get cut off because it’s two months behind and I don’t have rent, mayhaps it wouldn’t hurt to put up a donations page for those who enjoyed it and would be willing to make a little donation. I can’t imagine anyone would but if you do well God bless ya, a penny would make me smirk, a buck would make me smile, 5-10 and I’ll do a happy dance, and anything more I think I’ll just spontaneously wet my pants. Know that anything I manage to get back from this will go to rent and the pile of bills I’m behind on. If it ever gets more than I need (like that’ll happen) it will help me payoff some equipment. So if your feel so inclined just click the link below to PayPal and pick a number! I seriously find the quality of my life is just so much better when I have the lights on!

Endeverafter – Next Best Thing

Artist : Endeverafter
Song : Next Best Thing
Album: Kiss Or Kill
Director: Raymond J. Schlogel
Production Company : Underground Planet

For this one I was invited out to Nevada to direct, shoot, and edit a music video with the guys from Focal Bliss. They’d already done some amazing video work and wanted to see how it is that I do whatever it is that I do when making a music video first hand. A few bands and artist names were bandied about as were several locations. Three days before the shoot I was combing through MySpace and happened to stumble on this incredible band from Vegas called Endeverafter. Phone calls were made and somehow the pieces fell into place.

As it happened the band and their management picked the song “Next Best Thing” which not only was the one that I had hoped for but lent itself perfectly to one of the options we had available as a an option for a location, a little ghost town just outside the city limits.The desert, town and subsequent surroundings (replete with a crashed aeroplane) fit the mood and texture of the song flawlessly.

So basically this whole thing came together in about three days. Jim and Shawn from Focal bliss were great. Jim set the whole thing up and delivered on every level, not to mention doing an incredible job manning the jib, Shawn with the Stedicam and great eye for getting the shot.

As for the band, Michael, Tommi, Kristan, Eric it would be hard to ask for cooler guys to work with, especially considering that they had had no idea that they were even going to be shooting this just days prior. Consummate performers ready to entertain at the drop of a hat … even in the middle of the friggin desert. Definitely had a great time hanging out with em.

Huge thanks to Rob Hitt from Crush Management for miraculously being at the office well after hours when I first called and being willing to get the band on board to do this!

As for the technical this was shot with two Sony EX3′s and my trusty EX1 outfitted with a Letus35 Extreme. We had a jib, a Stedicam, a light truck (though we really only used bounce cards). Edited in Sony Vegas, CC with Magic Bullet.

Dexter Freebish – The Other Side

Artist : Dexter Freebish
Song : The Other Side
Album: The Other Side – The Best of Dexter Freebish
Director: Raymond J. Schlogel

Production Company : Underground Planet

I got a message from Chris Lowe, bass player for Dexter Freebish, saying that the band was putting out a greatest hits album that included some new tracks and that they were interested in making a vid. As someone who, like most, loved their tune “Leaving Town” I couldn’t help to be a bit giddy!

Up till now I’ve always stayed away from doing an all black and white video. To be honest I guess I’ve just seen too many bad YouTube vids that have employed this technique or similarly, a film look filter, as a kind of short cut or crutch in an attempt to make a video appear “artistic”. Not that it’s never done effectively or even to imply that I used it well for that matter! Just to say that I was never willing to go there. That said, listening to this song a hundred times or more while trying to visualize a performance piece … I never saw it in color.

We started setting up for the shoot at 6 PM on Sunday evening, broke down at around midnight and the video went live that Tuesday before midnight in all it’s full black and white glory. Thanks to the band for letting me go this route not to mention being so awesome during the shoot and having a great song to work with! Kyle, Scott, Chris, Rob, you guys rock, nuff said.

Crimson Envy – Ordinary (Live)

A quick and dirty lil live music vid for Austin/San Antonio band Crimson Envy. This was a one camera shoot so basically I bounced around the club grabbing different angles during their set and than through the magic of editing whittled it all down to one song … hence the uber short shots. The audio was taken from the board, huge props to Tatum Ruthardt for the final mix down.

Shot with a Sony EX1 w/Letus35 Extreme, edited in Sony Vegas with liberal applications of Magic Bullet Looks.