Jun , 10
So I had been pushing Timeca to do a short for some time, an incredible actress with a million great story ideas. “Drama” was one she had mentioned and one that I fell immediately in love with. Maybe it’s because when I was a kid when I told my Dad I was getting picked on he said “What do ya want me to do about it? Ya gotta stand up for yourself”. The next day I did, got my ass kicked. Anyway, as I was saying, we had bounced around a lot of ideas and this was actually part of an longer story she had thought of doing. From the first time I heard this particular part of the storyline I thought it would work really well as a short, picking up from when Drama gets out of bed and walks by her Auntie who’s passed out, ending with Drama’s moment of self-realization in the mirror, perhaps not exactly Norman Rockwell but a slice of life nonetheless.
Took me five months to convince Timeca to go for it and once we decided to do this it was cast, found locations, shot and edited within a week and I really couldn’t be happier with the way it turned out. We got incredibly lucky with the casting, only auditioned 6 girls for the parts of Drama and the bully and don’t think we could have found anyone better had we auditioned 100. Huge props to Ann Woodward (Drama) and Gianna Redeemer (the bully). Both just amazing and incredible to work with, I know we will be seeing a whole lot more of you two!
Of course Timeca rocked it, never had any doubts about that, and never had any doubts about her screen love interest of the moment played by Aaron Spivey-Sorrells. For those of you who watch “Friday Night Lights” you’re probably familiar with his work, he’s appeared in every episode except the pilot as Coach Spivey. We were all nothing but flattered that he was interested in being a part of our humble little short.
As for the making of stuff that I like to babble about, we shot this over one verrrrrry long day and picked up a few shots over a couple hours a few days later. Because of the nature of this one I wanted to keep it with a more real/doc type feel and opted for a handheld look. A little ironic that two of our actors were from Friday Night Lights (Timeca has also made an appearance on the show) and I went with the swishy sway cam but what can I say? When it works it works. My favorite shot of the whole piece is the shot coming off the roof. Took us awhile to find a location and when we did winded up with one that didn’t have rooftop access.
Thankfully, Austin Habitat for Humanity did have a trusty old lift truck that hoisted us up two at a time with our equipment so we could get the shot I wanted.
Side note, the song playing in the background while Drama is running from the other kids was a song called “Get Low“ by First Class Fresh who Timeca’s son, Elgyn A. Chandler Jr. is a member of. The group makes a guest appearance as the boys who tease Drama as she’s walking by. You can see the music video I did for their song “Wobble House” here:
This was shot on a Sony EX1 with a Letus35 extreme, edited in Sony Vegas.
Apr , 09
Artist : Dexter Freebish
Song : The Other Side
Album: The Other Side – The Best of Dexter Freebish
Director: Raymond J. Schlogel
Production Company : Underground Planet
I got a message from Chris Lowe, bass player for Dexter Freebish, saying that the band was putting out a greatest hits album that included some new tracks and that they were interested in making a vid. As someone who, like most, loved their tune “Leaving Town” I couldn’t help to be a bit giddy!
Up till now I’ve always stayed away from doing an all black and white video. To be honest I guess I’ve just seen too many bad YouTube vids that have employed this technique or similarly, a film look filter, as a kind of short cut or crutch in an attempt to make a video appear “artistic”. Not that it’s never done effectively or even to imply that I used it well for that matter! Just to say that I was never willing to go there. That said, listening to this song a hundred times or more while trying to visualize a performance piece … I never saw it in color.
We started setting up for the shoot at 6 PM on Sunday evening, broke down at around midnight and the video went live that Tuesday before midnight in all it’s full black and white glory. Thanks to the band for letting me go this route not to mention being so awesome during the shoot and having a great song to work with! Kyle, Scott, Chris, Rob, you guys rock, nuff said.